Thinking about titles, and other things.

http://elizabethbarton.blogspot.com/2013/10/the-importance-of-being-titled.html
An interesting blog about the importance of titles by master quilter Elizabeth Barton!

We were talking about titles in class today with Tamara Tweel, which got me thinking. I love titling my work. It's almost my favorite part of making something. When it's coming together, I have thoughts about it, whether to make it apparent what exactly I am thinking with the piece, or hide my intentions, or just go with the ever classic 'untitled' and let the public translate for themselves. I usually over think titles, and under think presentation. It's something i need to work on!

Reading so much about femininity and feminism, and everything that has gone into culture to bring women to where we are today, I am reminded of my luck. Reading the book The Beauty Myth by Naomi Wolf, written in the 90's but still very relevant, I can't help but think about relationships I have had in the past, where I would try so hard to be thin and made up and beautiful. It wasn't for me that I was doing these things, and I remember obsessing and stressing. I count myself lucky that today I am in a relationship where when I dress up, I do it for myself, and when I lost weight, I do it for myself. I am lucky enough to be in a supportive and loving relationship.

I know this blog is about art but I just thought i'd share what my research has got me thinking about today!

Thesis proposal, revised

Here is my revised thesis proposal, my work has taken a sudden left turn!

Embroidery, before the Renaissance, was a job for both sexes. Men and women working in workshops produced the fine garments and banners that now hang in museums. Around the Renaissance, embroidery became a talent of upper class women and trickled down to the middle classes. Embroidery became a sign of an educated and refined woman, one who has the patience, concentration and fine hand to produce beautiful decorative textiles. For the upper class women, these were given as favours to suitors, as gifts to friends, or to the church. For middle class women, their embroidered objects were used in the house as napkins, hankies, sheets and clothing. Embroidery has a rich feminine history, and continues to the subversive embroidery that is used today in art. I plan to use embroidery to explore what it is to be a woman and a feminist in today’s world.

As a base for this conversation I am using objects that are specifically attached to femininity. These could include feminine hygiene pads, tampons, lipstick, eye shadow, nail polish, dresses or skirts and bras. I acknowledge that in certain situations men use these items but, through a survey of friends, I have come to the conclusion that they are still attached strongly to femininity. I will then embroider these objects with words or patterns to emphasize their connection to the feminine sphere.

I would like to bring forth a conversation about why the words ‘feminist’ and ‘feminism’ are negative words for a majority of the women in my generation, and maybe open up a channel for these women to investigate feminist language and content. I also want to have a conversation with myself about what femininity means to me. It has always been something I was uncomfortable with, and I’d like to confront that and start to understand why.